Once I’d re-located the sites and venues using my own memory of the walk (with a little help from Birmingham Music Map) and Chris Phipps himself, I firstly geolocated everything in Audioboo then inserted the information on my own map.

View Home Of Metal Birmingham Tour in a larger map

My original plan was to embed audio onto the pinpoints, but currently Google Maps doesn’t allow you to use any kind of audio player. The nearest I could achieve was to embed a YouTube slide-show into my map – click on the Town Hall pinpoint at the top of the map as an example. As I mentioned in my last post, my main objections to YouTube are its clumsiness and untidiness, it would be better if you could resize the slideshow and view it like this:

Click here to view the embedded video.

A site called Woices uses Google Maps API to embed a walk. So far the site pretty much does what I can do below, with a touch of Social Media added.

More interesting is the Infospot which allows you to customise the site and access to analytics. In addition to the normal download option it can be triggered by Geolocation for iPhone users. I’ve been playing around with a trial version which isn’t viewable to the public.

To make this customised site viewable it would cost 59 Euros a month! This would be great if I had funding for this project and there was some kind of revenue model. A more cost effective way of producing this would be to set up a map in Flash, research Geolocation and maybe build a phone application myself.

If this was to be a more permanent serious tour project, I would also need to pay Chris Phipps for the use of his material. And even ask him (and others) to talk about other venues and their experiences of Birmingham’s musical past. I would also need to consider how the newly relaunched Home Of Metal site is developing. Home Of Metal is after all a place where non-professional Heavy Metal fans can share their own experiences, memories and stories.

Finally, I need to consider how far this has moved from being a journalism project. News sites often geolocate stories and many online news projects can act as archives to preserve the past. But is recording the past, and creating and maintaining tours the responsibility of the journalist, a civic society or a historian?

STOP THE PRESS… @hadleypaul just alerted me to this beauty by @buddhamagnet

View Boobase Home Of Metal marks in a larger map

Te great thing about this is that it finds the boos by tags, so if I were to add more venues to Audioboo and tag them ‘Home Of Metal’ they would also pop up here!

Finally, I’ve created a full podcast with musical interludes to give you time to walk between pinpoints.

For added visual treats and ‘chapterisation’ why not download the enhanced podcast?
(right click, ‘save target as)

When I started producing my Silver Skins podcast, I was often asked whether I’d cleared the music copyright. My argument was far from comprehensive, usually involving an explanation that I always talk over the beginning and end of my tracks in traditional ‘Radio 1 Top 40′ style. I also mumbled that much of my music is new material which is benefiting from exposure to a niche ‘older but still cool’ audience.

Silver Skins is a receptacle for music that I am passionate about. The intention behind the podcast was to appeal to a generation who, like me, still loved music and refused to be knocked into any kind of middle-age music box. The passion part also has a lot linked to my ideas behind Blowback: this isn’t cycnical aloof abstraction about music industry trends but genuinely wanting to play the best music I experience – and pass on that experience. I’ve had fans of the podcast contact me, claiming that since listening to the show, they have gone out and bought the album, or seen the musician live. I’ve recently discovered this opinion is shared by UK Podcasters Association and was backed up by The 2008 MCPS-PRS Podcast License.

For a while I’ve sided with Andrew Dubber’s view on copyright, musicians should benefit from exposure rather than try and claw back the potential money they might have been lost. Nevertheless, in a world where people are illegally uploading and downloading entire movies or albums I very much doubt PRS would be interested in the one compressed track that I rabbit all over. But if the request does ever come, I will take it down.

In the mean time, I might be able to offer one further justification. I was inspired by Mixmag’s excellent podcast which provides enhanced capabilities. The fact that you can click on an image if playing in iTunes, (or possibly even on iTouch or iPhone – yet to test) you could buy the track in full from the store.

With my Enhanced Silver Skins, these are all bitly short links, so I will be able to measure how many people click through to the store as a result of listening to my podcast. Hopefully my case will be strengthened by recent reports that paid for downloads have boosted music sales.

There are other enhanced treats aswell, so have fun downloading and let me know what you think of the tweaked podcast. At the moment I realise that this podcast is a bit Apple-centric so if you have any idea of how I can reproduce the same effect in PC and on other audio devices then please let me know.

You can download the enhanced Silver Skins 3 by right clicking here.

Or you can subscribe to the RSS via my archive site.